Had become a musical world unto herself by the time she issued, recorded in late 1971. With jazz-rock fusion taking over the mainstream and the terminal avant-garde heading over to Europe, stubbornly forged an insistent, ever-evolving brand of spiritual jazz that bore her own signature as much as it did her late husband's influence. On the two days in November when was recorded, chose drummer, bassist, violinist, saxophonist, and timpanist in addition to a string orchestra of 16 to help her realize her latest vision. Herself plays piano, harp, and organ on this date, sometimes within a single track, as she does on her glorious post-modal reworking of 'My Favorite Things.'

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This was a gutsy move, considering it was one of 's signature tunes, but has it firmly in hand as she moves from organ to harp to piano and back, turning the melody inside out wide enough for the strings to whip up an atmospheric texture that simultaneously evokes heaven and hell and skewers the prissy nature of the tune in favor of bent polyharmonics that allow the entire world of sound inside to play. The jazz modalism presents on 'Galaxy Around Olodumare' is quickly undone by in his solo and reconstructed into polyphony by the string section; it's remarkable. The harp work on 'Galaxy in Turiya' ('s religious name) is among her most beautiful, creating her own wash of color and dynamic for the strings to fall like water from the sky into her mix. As colors shift and change, the rhythm section responds, and focuses them in the prism of 's textured harpistry. The album closes with another signature, 'A Love Supreme,' here given an out of this world treatment by the band with playing full force through the middle of both channels. There is a narration by 's guru inside it, a poem really, spoken by the great guru, which no doubt would have moved, but the real news is 's killer, funky breakbeat organ solo that covers the tune top to bottom in blues, in stark contrast to ' improvisation.

This set may take some getting used to for some, but it's easily one of the strongest records ever released, and one of the finest moments in jazz from the early '70s.

Contents • • • • • • • • • • • • Biography [ ] Early life and career (1937–1965) [ ] Alice McLeod was born on August 27, 1937, in, and grew up in a musical household. Her mother, Anna McLeod, was a member of the choir at her church, and her half brother, became a jazz bassist. With the motivation of Ernest, Alice pursued music and started to perform in various clubs around Detroit, until moving to Paris in the late 1950s. Alice studied, and also jazz with in Paris, where she worked as the intermission pianist at the in 1960.

It was there that she was broadcast on French television in a performance with,. She married in 1960 and had a daughter with him. The marriage ended soon after, on account of Hagood's developing heroin addiction, and Alice was forced to move back to Detroit with her daughter. She continued playing jazz as a professional in Detroit, with her own trio and as a duo with.

In 1962–63 she played with ' quartet, during which time she met. In 1965 they were married in, Mexico. John Coltrane became stepfather to Alice's daughter Michelle, and the couple had three children together: John Jr. (1964–1982, a drummer); (b. 1965, a saxophonist); and Oranyan (b. Oranyan later played saxophone with for a period of time.

Solo work (1967–1978) [ ] In January 1966, Alice Coltrane replaced as pianist with John Coltrane's group. She subsequently recorded with him and continued playing with the band until his death on July 17, 1967. Their growing involvement in spirituality influenced some of John's compositions and projects, such as. After her husband's death, she continued to forward the musical and spiritual vision, and started to release records as a composer and bandleader. Her first album,, was recorded in 1967. From 1968 to 1977, she released thirteen full-length records.

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