Rahul (Shahrukh Khan) is a dancer and the director of a successful music and dance troupe. He believes that Nisha (Karisma Kapoor), one of his dancers, is his best friend; Nisha acts like his pal, but is secretly in love with him. Nisha injures her foot and Rahul needs a new dancer.

Jun 21, 2014 - A look back at a film which taught us the importance of drugs. If you haven't watched Dil To Pagal Hai, it is the story of a girl who smokes.

He hires Pooja (Madhuri Dixit). She and Rahul are increasingly attracted to each other, but they act as if it were not happening. Pooja, unknown to Rahul, is already engaged to Ajay (Akshay Kumar), the son of family friends who raised her when her parents were killed. A romance with another man would be scandalous, and be a disappointment to her auntie and uncle, who want to see her marry their son. She tries to keep her distance from Rahul and Rahul, puzzled by her mixed signals, does not push matters.

Nisha, however, her senses sharpened by jealousy, sees it all. Rather than try to stop the affair, however, she decides to leave India for a time and let matters take their course. She truly loves Rahul, and wishes only the best for him. As preparations for the new show continue, Pooja finally tells Rahul that she is engaged to Ajay; Rahul is deeply hurt.

He revises the show to reflect his new unhappiness. Nisha returns from London to view the new production and complains that it has an unhappy ending. Rahul refuses to change it; the story reflects his relationship to Pooja the way he sees it.

In the end, Rahul decides to make one last effort to revive his romance with Pooja. Pooja is torn between love and duty until Ajay, who has realized what is going on, releases Pooja from her engagement. Pooja and Rahul reconcile and all ends happily.

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Dil To Pagal Hai ( DTPH) is a romance film through and through. It does not have any lofty social goals like Dil Se or Amar Akbar Anthony, nor does it try any drastically new approaches to film like Kaminey or Om Shanti Om. It is Shahrukh Khan’s second collaboration of many with director and producer Yash Chopra. In this film he plays Rahul, a director of a dance troupe who does not believe in soul mates or love. This is challenged when he meets a girl, Pooja (played by Madhuri Dixit), who fits the role he created of some seemingly impossible dream girl, Maya. He sees her dance with all of her soul and recognizes immediately that she is meant for this part. Throughout the production of the play, Maya, they fall in love, but obviously, there are obstacles.

Their love is complicated by the fact that Nisha, a member of the dance troupe loves Rahul and much moreso by the fact that Pooja is engaged to her life-long friend, Aijay. Pooja eventually realizes that Aijay is not the one meant for her and, with his permission, finally tells Rahul how she really feels in a dramatic scene in front of a live audience.

This film is master of the coincidence, even more than other films we have seen. Before Pooja and Rahul meet, she overhears him whistling a particular tune three different times: once in the changing room of a store, once when he comes to return the birthday cake for her uncle that he accidentally picked up, and once when he is simply walking down her street on Valentine’s Day after accidentally calling her phone number. Pooja makes the connection to these times when she realizes when she realizes that he is the one who has been whistling all along all of these as a sign that they are soul mates.

This supports the classic Bollywood theme that there is a right couple that will end up together in the end as we have seen in so many of the films that we have watched this semester. The conflict between love and obligation to the family, a common theme is also at play here. Much like Shilani in Dil Chahta Hai, Pooja knows that marrying Aijay, who is the son of the people who took her in when she was orphaned, would make her adopted parents extremely happy and she cannot stand to go against that once they know about the engagement. We see this struggle in DDLJ also, a film that Shahrukh Khan did only 2 years before DTPH, when Simran cannot go against her family who has arranged a marriage.

DTPH uses the traditionally unsophisticated sets of Bollywood, though it does do some location shot in Germany that hadn’t been done before. It also doesn’t seem to use camera angles in any new way. The film does seem to have more song sequences than many of the films we have seen, my favorite of which was Koi Ladki Hai:. Most of the songs are very catchy though. All in all, DTPH is a straight-forward, stereotypical Bollywood film about soul mates overcoming obstacles in order to be together, which I love!

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