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• New Zealand • United States Language English Budget $281,000,000 Box office $2,917,506,956 The Lord of the Rings is a of three directed by, based on the novel. The films are subtitled (2001), (2002) and (2003). They are a New Zealand-American venture, produced by and and distributed. The trilogy was one of the biggest and most ambitious film projects ever undertaken, with a reported budget of $281–330 million.

The three films were shot simultaneously and entirely in Jackson's native. One in every 160 New Zealanders participated in the production.

A special extended edition of each film was released on DVD a year after its theatrical release. While the films follow the book's general storyline, they omit some plot elements and include additions to and deviations from the source material. Set in the fictional world of, the films follow the () as he and the embark on a quest to destroy the, to ensure the destruction of its maker, the Dark Lord. The Fellowship eventually splits up and Frodo continues the quest with his loyal companion () and the treacherous (). Meanwhile, (), heir in exile to the throne of, along with,,, and the (), unite to rally the in the. The series was met with overwhelming praise. It was a major financial success, and is among the.

Each film was critically acclaimed and, winning 17 out of their 30 nominations. The series's final film, The Return of the King, won all 11 of its Academy Award nominations including Best Picture, tying with (1959) and (1997) the record for most Academy Awards won by a single film. The series received wide praise for its innovative special and visual effects.

Main article: Jackson began the series with in August 1997 and assigned his crew to begin designing Middle-earth at the same time. Jackson hired long-time collaborator to lead on five major design elements: armour, weapons, prosthetics/make-up, creatures, and miniatures. In November 1997, famed Tolkien illustrators and joined the project. Most of the imagery in the films is based on their various illustrations. Was charged with the task of converting Lee and Howe's designs into architecture, creating models of the sets, while worked as, scouting locations and organising the building of sets.

Jackson's vision of was described as being ' meets '. Jackson wanted a gritty realism and historical regard for the fantasy, and attempted to make the world rational and believable. For example, the helped build months before filming began so the plants could really grow. Creatures were designed to be biologically believable, such as the enormous wings of the to help it fly.

25th anniversary photo album. I was wondering if you had any other link to the 25th anniversary album for the phantom of the opera? The one you posted is no longer available:/ HQ version I have still works. The Phantom of the opera 25th Anniversary part01 (95.78 MB) the Phantom of the opera 25th Anniversary part01 Source title: The Phantom Of The Opera 25th Anniversary Part01 (98.1 Mb) Mediafire Download. Find album reviews, stream songs, credits and award information for The Phantom of the Opera at the Royal Albert Hall - Andrew Lloyd Webber on AllMusic - 2011 - To describe Andrew Lloyd Webber's production of. As well as the live album and DVD, the 25th anniversary will also be marked with the release of a special edition The Phantom of the Opera 25th Anniversary Celebration box set – a beautiful, 4-CD and 1 DVD set honouring the 25th anniversary of the show’s London opening in 1986.

In total, 48,000 pieces of armour, 500 bows, and 10,000 arrows were created by Weta Workshop. They also created many prosthetics, such as 1,800 pairs of Hobbit feet for the lead actors, as well as many ears, noses, and heads for the cast, and around 19,000 costumes were woven and aged.

Every prop was specially designed by the Art Department, taking the different scales into account. Main article: for all three films was conducted concurrently in many locations within New Zealand's conservation areas and national parks. Filming took place between 11 October 1999 and 22 December 2000, a period of 438 days. Shoots were conducted annually from 2001 to 2003. The series was shot at over 150 different locations, with seven different units shooting, as well as soundstages around. Along with Jackson directing the whole production, other unit directors included John Mahaffie,,, Barrie Osbourne,, and any other assistant director, producer, or writer available. Jackson monitored these units with live satellite feeds, and with the added pressure of constant script re-writes and the multiple units interpreting his envisioned result, he only got around four hours of sleep a night.