About “Turn on the Bright Lights”. Turn on the Bright Lights is the debut studio album by Interpol, released in August 2002. The album was recorded in November 2001 at Tarquin Studios in Connecticut, and was co-produced, mixed and engineered by Peter Katis and Gareth Jones. It was released on August 20 in the United States on Matador Records. Turn On The Bright Lights Tenth Anniversary Edition.zip From mega.co.nz 111.55 MB Indie rock post punk interpol tenth anniversary edition 2012 mp3 320 kbps mikkisays net rar From uploaded.to (296 MB) KOF 10th anniversary.zip From mediafire.com 60.51.

Looking to download Turn On the Bright Lights album online? Released: Aug 19, 2002, Interpol launched Alternative album Turn On the Bright Lights.

Counter strike 1.6 zombie escape. Album has 11 Songs, 48 Minutes available to download or listen Download here... Album songs list: Untitled 3:56 Obstacle 1 4:11 NYC 4:19 PDA 4:59 Say Hello to the Angels 4:28 Hands Away 3:05 Obstacle 2 3:47 Stella Was a Diver and She Was Always Down 6:27 Roland 3:35 The New 6:07 Leif Erikson 4:00 SOMETHING EDITORS’ NOTES So influential as to have become almost invisible in the intervening years, 2002’s Turn on the Bright Lights practically minted American stadium indie rock. Interpol’s concrete-grey post-punk at first feels dominated by Paul Banks’ hectoring baritone, but shafts of light continually cut through. The stately “NYC” prefigures The National’s introspective triumphs, the hard-charging “PDA” is a seed for The Killers and Arcade Fire to water, and “Untitled” is the song that dozens of would-be U2s are still trying to write. Turn On the Bright Lights full album download Turn On the Bright Lights download album online Turn On the Bright Lights online album download Turn On the Bright Lights full album zip download Turn On the Bright Lights full album rar.

• 'PDA' Released: August 22, 2002 • ' Released: September 20, 2002 • ' Released: November 11, 2002 • ' / 'NYC' Released: April 14, 2003 Turn On the Bright Lights is the debut by American band, released on August 20, 2002. The album was recorded in November 2001 at Tarquin Studios in Connecticut, and was co-, and by and Gareth Jones.

It was released on August 19, 2002 in the United Kingdom and August 20 in the United States, through. Upon release, the record peaked at number 101 on the. It reached number 158 on the in the United States, as well as spending 73 weeks on the chart, peaking at number five. The songs 'PDA', ', ', ' were released as singles, with music videos being shot for all except 'Say Hello to the Angels'. The song 'PDA' is featured as a playable track in. A remastered version of the album was released in 2012 to commemorate its tenth anniversary.

It featured additional material including demo recordings of several tracks, the bonus songs previously available on international releases and a DVD of live performances and music videos. Interpol embarked on a tour in 2017 celebrating the album's 15th anniversary, playing the album front to back. Contents • • • • • • • • • • • • Promotion and release [ ] The release of Turn On the Bright Lights was preceded by the marketing of the band's self-titled in June 2002, their first release for Matador.

The EP contained three tracks: 'PDA', future single ', and 'Specialist'. All three tracks later appeared on the album, with 'Specialist' included as a bonus track in Australian and Japanese editions. Further promotion continued at the beginning of the following year, when the band played the 2003 alongside,. Critical reception [ ] Professional ratings Aggregate scores Source Rating 81/100 Review scores Source Rating A− 8/10 9.5/10 C+ Turn On the Bright Lights was released to critical acclaim from music critics. The album holds a score of 81 out of 100 from the aggregate site based on 21 reviews, indicating 'universal acclaim'.

Contemporary reviews of the album often noted Interpol's influences and drew comparisons to several other acts. Michael Chamy of cited 'melodic -like basslines; the divine textures of and; a peppy, -like bounce; and a singer who's a dead ringer for.' 'It's almost as if Ian Curtis never hanged himself,' began 's review, with critic Jonah Weiner adding that Paul Banks' vocals channeled Curtis' 'gloomy moan.' 's Victoria Segal called comparisons 'obvious and unmistakable, airbourne in the ashen atmospherics,' while praising Interpol's take on the 'grey-skinned British past'. Wrote that Interpol had created an 'homage to their particular vision of the '80s that stands proudly alongside the best of its idols.' Scott Seward, writing in, remarked: 'If I like them because they remind me of eating bad bathtub mescaline in the woods and listening to singles, well, that'll do.